Articles by Deepa Mohan

I went to watch Kriyative Theatre’s presentation of “Where The Shadow Ends” after having read the theatre group’s introduction to it, with an open mind...and that open mind was truly filled with sights, sounds, concepts both abstract and concrete, in the one hour and twenty minutes that the play lasted. The narrative, as the group says, is surreal;  the play travels through myths and history that are common across cultures. The play (mainly in English, but with touches of Kannada and Sanskrit here and there)   uses contemporary movement and text to explore the space between reality and shadows of the…

I went to watch Kriyative Theatre’s presentation of “Where The Shadow Ends” after having read the theatre group’s introduction to it, with an open mind...and that open mind was truly filled with sights, sounds, concepts both abstract and concrete, in the one hour and twenty minutes that the play lasted. The narrative, as the group says, is surreal;  the play travels through myths and history that are common across cultures. The play (mainly in English, but with touches of Kannada and Sanskrit here and there)   uses contemporary movement and text to explore the space between reality and shadows of the…

When I read that "The Cut" had been shortlisted for The Hindu Playwright award in 2016, I was keen on watching it; so off I went to watch the play, staged by Theatre Nisha, a Chennai-based group, on Saturday, 27th May 2017. I'd read two reviews of the play, by Karan Pillai for The New Indian Express, on Jan 27, 2017  by Parshathy J Nath for The Hindu, on 30 Jan, 2017   I was expecting the sepia tones referred to in one, and the brilliant performances mentioned in the other (see photo below, from an earlier performance.)   The…

When I read that "The Cut" had been shortlisted for The Hindu Playwright award in 2016, I was keen on watching it; so off I went to watch the play, staged by Theatre Nisha, a Chennai-based group, on Saturday, 27th May 2017. I'd read two reviews of the play, by Karan Pillai for The New Indian Express, on Jan 27, 2017  by Parshathy J Nath for The Hindu, on 30 Jan, 2017   I was expecting the sepia tones referred to in one, and the brilliant performances mentioned in the other (see photo below, from an earlier performance.)   The…

Manidip Mandal shows how it's more expensive to travel from Majestic (Kempegowda Bus Station) bus terminus to Hulimavu (15 km) than to travel from Mysuru to Bengaluru (148 km).     BMTC has become an exploitative and expensive organization, and urban commuters have no choice. I only use public transport, and as a general commuter and a woman citizen, I generally find the drivers and conductors very rude, harassing passengers.

Manidip Mandal shows how it's more expensive to travel from Majestic (Kempegowda Bus Station) bus terminus to Hulimavu (15 km) than to travel from Mysuru to Bengaluru (148 km).     BMTC has become an exploitative and expensive organization, and urban commuters have no choice. I only use public transport, and as a general commuter and a woman citizen, I generally find the drivers and conductors very rude, harassing passengers.

I thirst...Not for love, money orEven happiness.I thirst for waterTo quench the parched earthTo bring green to the brownTo bring fresh hope to those Who raise crops and food for us.I need waterTo fill the potsOf each slum-dwellerWho puts her (it's never a he)Vessel in a long line of colours,Waiting to drink, wash and live.I have had enough of grishma ritu.I want varsha...not just the odd showerOr thunderstorm, but a steady,Cloudy, drumming seasonThat will replenish the depletedPlateau,that we live onAnd call home.

I thirst...Not for love, money orEven happiness.I thirst for waterTo quench the parched earthTo bring green to the brownTo bring fresh hope to those Who raise crops and food for us.I need waterTo fill the potsOf each slum-dwellerWho puts her (it's never a he)Vessel in a long line of colours,Waiting to drink, wash and live.I have had enough of grishma ritu.I want varsha...not just the odd showerOr thunderstorm, but a steady,Cloudy, drumming seasonThat will replenish the depletedPlateau,that we live onAnd call home.

Today's youngsters have many more job and career opportunities opening up, rather than the usual aspiration to be a doctor, lawyer or engineer. But as they dream about the ways they will make their living, I wonder how people get into far less noticed jobs. Here are two young men I noticed today The first one, along with another young man of about the same age, was suspended from the terrace of a building, painting the outside walls. It was quite hot in the open sun, and I am sure the entire day was spent this way, with perhaps breaks…

Today's youngsters have many more job and career opportunities opening up, rather than the usual aspiration to be a doctor, lawyer or engineer. But as they dream about the ways they will make their living, I wonder how people get into far less noticed jobs. Here are two young men I noticed today The first one, along with another young man of about the same age, was suspended from the terrace of a building, painting the outside walls. It was quite hot in the open sun, and I am sure the entire day was spent this way, with perhaps breaks…