ranga shankara

Once in a while, instead of attending intense, issue-based plays, it's good to go and have an evening of pure, unadulterated fun in the theatre! And so it proved, when I went to watch "Bade Miyaan Deewane", staged by Rangbaaz Group, in association with Rashmi Sharma Telefilms.     A scene from the play, "Bade Miyaan Deewane", staged at Ranga Shankara on 7 and 8 June 2014   Directed by Imran Rasheed (who also essayed the role of Mir Saheb), the play is an adaptation of Shauqat Tanvi's novel "Budhbas", written in a lighter vein in Urdu. Thanvi's sure touch…

Once in a while, instead of attending intense, issue-based plays, it's good to go and have an evening of pure, unadulterated fun in the theatre! And so it proved, when I went to watch "Bade Miyaan Deewane", staged by Rangbaaz Group, in association with Rashmi Sharma Telefilms.     A scene from the play, "Bade Miyaan Deewane", staged at Ranga Shankara on 7 and 8 June 2014   Directed by Imran Rasheed (who also essayed the role of Mir Saheb), the play is an adaptation of Shauqat Tanvi's novel "Budhbas", written in a lighter vein in Urdu. Thanvi's sure touch…

In Bangalore in the early 90's, I was very impressed by one very young dramatist who wrote plays in English that showed a talent and an ability to mirror social issues well beyond his physical age.I watched every production of Mahesh Dattani's plays that I could, and bought the book of his plays to read the rest. I have also grown up in Kolkata, enjoying the vibrant Bengali theatre scene; to me,there was no greater  accolade of a person's creative talent than the words, "O theatar korcche" (He is into theatre).  So when my friend Shangon told me that a…

In Bangalore in the early 90's, I was very impressed by one very young dramatist who wrote plays in English that showed a talent and an ability to mirror social issues well beyond his physical age.I watched every production of Mahesh Dattani's plays that I could, and bought the book of his plays to read the rest. I have also grown up in Kolkata, enjoying the vibrant Bengali theatre scene; to me,there was no greater  accolade of a person's creative talent than the words, "O theatar korcche" (He is into theatre).  So when my friend Shangon told me that a…

Having watched Adishakti Laboratory for Theatre Art Research (what a mouthful, I'll call it ALTAR for short!)'s earlier production, "The Tenth Head" at Ranga Shankara, and reviewed it here, I was prepared for an interesting evening when I went to watch "Nidrdravathvam". The play is about two brothers of the protagonist and the antagonist of the Ramayana: Lakshmana and Kumbhakarna. They are connected in having received boons that, in the words of the excellent brochure provided by ALTAR, "dramatically alter their cycles of sleep and wakefulness." Kumbharkarna's tongue is tied by Saraswati, and instead of asking for "Nirdevatvam" (destruction of the Devas) he…

Having watched Adishakti Laboratory for Theatre Art Research (what a mouthful, I'll call it ALTAR for short!)'s earlier production, "The Tenth Head" at Ranga Shankara, and reviewed it here, I was prepared for an interesting evening when I went to watch "Nidrdravathvam". The play is about two brothers of the protagonist and the antagonist of the Ramayana: Lakshmana and Kumbhakarna. They are connected in having received boons that, in the words of the excellent brochure provided by ALTAR, "dramatically alter their cycles of sleep and wakefulness." Kumbharkarna's tongue is tied by Saraswati, and instead of asking for "Nirdevatvam" (destruction of the Devas) he…

The play, "The Tenth Head", written by Vinay Kumar KJ, directed by Veenapani Chawla, and staged by Adishakti Laboratory and Theatre Art Research, Puduchery, has a very interesting central premise: that all the heads of Ravana are not alike, and that the tenth head is quite different from the other nine.   Intrigued by this, I went to watch the staging at Ranga Shankara, on the 18th of February, 2014. I found myself both interested and puzzled at different times during the play.   The on-again-off-again power situation took its toll on Ranga Shankara's usual punctuality, and the play started…

The play, "The Tenth Head", written by Vinay Kumar KJ, directed by Veenapani Chawla, and staged by Adishakti Laboratory and Theatre Art Research, Puduchery, has a very interesting central premise: that all the heads of Ravana are not alike, and that the tenth head is quite different from the other nine.   Intrigued by this, I went to watch the staging at Ranga Shankara, on the 18th of February, 2014. I found myself both interested and puzzled at different times during the play.   The on-again-off-again power situation took its toll on Ranga Shankara's usual punctuality, and the play started…

It's quite unusual to go to review a play that's been running for some time, but I did just that on the 23rd of January, as I went to watch "The Incredible Mullah Nasruddin" at Ranga Shankara. This was their 13th show. The play is a production by the "AHA!" children's theatre wing of Ranga Shankara. The main protaganist is Mullah Nasruddin, who, in this version, comes from Arabia to India to garner wisdom, and undergoes various experiences, depicted in 21 short vignettes. The play had several features unusual in children's theatre. For one, there was a blue turban that…

It's quite unusual to go to review a play that's been running for some time, but I did just that on the 23rd of January, as I went to watch "The Incredible Mullah Nasruddin" at Ranga Shankara. This was their 13th show. The play is a production by the "AHA!" children's theatre wing of Ranga Shankara. The main protaganist is Mullah Nasruddin, who, in this version, comes from Arabia to India to garner wisdom, and undergoes various experiences, depicted in 21 short vignettes. The play had several features unusual in children's theatre. For one, there was a blue turban that…