Theatre

There are times when the production of a play makes the task easy for the reviewer. When there are plenty of criticisms to be made, it always grieves me to have to make negative comments, when I know that each stage production has so much of passion, dedication and sheer hard work that has gone into it.  But when a production is, from both artistic, aesthetic, and technical standpoints, excellent and highly professional, the critic’s task is just to enumerate the good points.  The play, “Krishna’s Dairy”, by Jacob Rajan, who also essayed the two characters who feature in it,…

Read more

There are times when the production of a play makes the task easy for the reviewer. When there are plenty of criticisms to be made, it always grieves me to have to make negative comments, when I know that each stage production has so much of passion, dedication and sheer hard work that has gone into it.  But when a production is, from both artistic, aesthetic, and technical standpoints, excellent and highly professional, the critic’s task is just to enumerate the good points.  The play, “Krishna’s Dairy”, by Jacob Rajan, who also essayed the two characters who feature in it,…

Read more

For children….   Once a year, Children’s Day (celebrated on Nov 14 in India) comes around, and we have many initiatives just for them. One of these was   “Maya Bazaar” a story of mythology and fantasy, which was made into an epic movie in both Tamil and Telugu.   Over the years, this story (loosely based on characters in the Mahabharata) has been treated as a subject on many stages...folk, street, and mainstream theatre.   So, when Bangalore Little Theatre sent an invitation to the staging of the original English language adapation  of this tale, on the 13th of…

Read more

For children….   Once a year, Children’s Day (celebrated on Nov 14 in India) comes around, and we have many initiatives just for them. One of these was   “Maya Bazaar” a story of mythology and fantasy, which was made into an epic movie in both Tamil and Telugu.   Over the years, this story (loosely based on characters in the Mahabharata) has been treated as a subject on many stages...folk, street, and mainstream theatre.   So, when Bangalore Little Theatre sent an invitation to the staging of the original English language adapation  of this tale, on the 13th of…

Read more

It's always intriguing to watch poetry being dramatized, and I was keen on going to watch "Kitchen Poems" by Dhiruben Patel, a 90+ year-old Gujarati writer. Padmavathi Rao, who was the solo actor in this performance produced by Aantarya Film and Theatre House, is well-known to the theatregoers of Bangalore, and it was with pleasant anticipation that I went to the performance. I was not disappointed. Dhiruben's poems (written in English) were translated on to the stage seamlessly. Padmavathi's command over the words showed in the effortless way in which she seemed, not to be playing an archetypal woman and…

Read more

It's always intriguing to watch poetry being dramatized, and I was keen on going to watch "Kitchen Poems" by Dhiruben Patel, a 90+ year-old Gujarati writer. Padmavathi Rao, who was the solo actor in this performance produced by Aantarya Film and Theatre House, is well-known to the theatregoers of Bangalore, and it was with pleasant anticipation that I went to the performance. I was not disappointed. Dhiruben's poems (written in English) were translated on to the stage seamlessly. Padmavathi's command over the words showed in the effortless way in which she seemed, not to be playing an archetypal woman and…

Read more

It’s not easy to review a play when the theme is intense-- political unrest, and the social chaos that results.. This was the thread underlying  “Mein hoon Yusuf, aur yeh hai mera bhai”, which I watched at Ranga Shankara on 8th November 2015. Two theatre groups collaborated in this production. The action of the play is set against the background of the conflict in Palestine. It’s January 1948, and the British Mandate is ending. There is a lot of conflict over how the Palestine pie will be cut up. In a small village, Ali’s love for Nada faces difficulties because…

Read more

It’s not easy to review a play when the theme is intense-- political unrest, and the social chaos that results.. This was the thread underlying  “Mein hoon Yusuf, aur yeh hai mera bhai”, which I watched at Ranga Shankara on 8th November 2015. Two theatre groups collaborated in this production. The action of the play is set against the background of the conflict in Palestine. It’s January 1948, and the British Mandate is ending. There is a lot of conflict over how the Palestine pie will be cut up. In a small village, Ali’s love for Nada faces difficulties because…

Read more

It’s not often that I attend a play without prior planning, but this happened to me when my friend Prathap invited me, after rather a long day outdoors, to “Still and Still Moving” at Ranga Shankara on 31st October 2015, staged by Tadpole Repertory Theatre. It was worth the effort of changing tracks, from nature to theatre. You can find Tadpole Rep’s blog here,   and they are on FaceBook,   here. A Delhi-based group, their professionalism in all departments of stagecraft was outstanding. I will be listing the cast and crew at the end, so I may not mention…

Read more

It’s not often that I attend a play without prior planning, but this happened to me when my friend Prathap invited me, after rather a long day outdoors, to “Still and Still Moving” at Ranga Shankara on 31st October 2015, staged by Tadpole Repertory Theatre. It was worth the effort of changing tracks, from nature to theatre. You can find Tadpole Rep’s blog here,   and they are on FaceBook,   here. A Delhi-based group, their professionalism in all departments of stagecraft was outstanding. I will be listing the cast and crew at the end, so I may not mention…

Read more